Les Blakebrough Death, Obituary – When we read the news about Les Blakebrough AM’s passing this morning, we were taken aback and filled with sadness. We are left with a sense of loss due to the fact that he was a trailblazer in the Sturt Pottery industry and that he has passed away. Les fought bravely until this morning, when he finally passed away. David Moore took this picture of Les in 1965 while he was operating the three-chambered climbing kiln. The photograph was taken by David Moore.
Photographer David Moore is the one responsible for taking the shot. In our archives, we have not only documented the history of the countless pots that have been fired on this location, but we have also documented the history of the pioneer who made an indelible mark on the world and contributed significantly throughout the course of his life. In other words, we have documented both the history of the countless pots that have been fired on this location as well as the history of the pioneer. This early innovator was a potter who established a reputation for his work in the field of ceramics.
Les was a ceramic artist who was considered to be among the most well-known and respected in Australia. His career spanned sixty years, and throughout that period he evolved into one of the most well-known ceramic artists in Australia. His body of work spanned sixty years. It is generally accepted that his body of work is one of the most influential in the country as a whole. His extensive collection included everything from simple yet useful objects to more complex forms that he had created in more recent years. His Southern Ice Porcelain, which he had spent years perfecting and had patented, took on a quality that was more translucent and more delicate in nature as a result of the exquisiteness of the later pieces he created using the porcelain he had patented.
This was due to the fact that he had created these pieces using the porcelain he had patented. This was a direct outcome of the exquisiteness of the pieces he had constructed earlier using the porcelain he had patented. He had created these pieces using his own porcelain. In the 1960s, he went to Japan to study under some of that country’s most well-known potters, and in the 1990s, he worked with some of the most well-known producers of industrial ceramics in Scandinavia.
Both of these experiences were formative for him as a potter. Because ceramics held a special fascination for him, he committed a significant portion of his time and effort to the investigation and enhancement of methods and components used in the manufacturing of ceramics. As a result of this, he embarked on a number of journeys around the world in search of fresh information. His fascination with the past of ceramics served as the driving force behind his investigations into, and development of, a wide variety of techniques and materials associated with ceramics. Significant strides were taken forward in this area as a direct result of his research and development of various methods and materials.